I fall away
And let her come forward
Through the cracks in my forehead
I'm here to stay
You don't understand
It's not like I had a plan
I'm just not that comfortable
With your gender so wonderful
You don't understand
So many like this
Labelled indecisive
I'm here to stay
Put on make-up
If it helps you to shape up
A little bit of acceptance goes a long way
Cos everybody's talking nowadays
But everybody's laughing anyway
And people come and go in their own way
Everybody's talking nowadays
Everybody's talking nowadays
But everybody's laughing anyway
And people come and go in their own way
Everybody's talking nowadays
Everybody's talking nowadays
But everybody's laughing anyway
And people come and go in their own way
These boxes don't exist and that's ok
Everybody's talking
Everybody's talking
Everybody's talking
Broken record now
(Broken record now)
Push them up and down
(Push them up and down)
The only friend you've got left
(The only friend you've got left)
Oh
Sometimes, sometimes, sometimes
I get the strangest feeling
You're a pocket knife
(You're a pocket knife)
Feeling just alright
(Feeling just alright)
The only friend you've got left
(The only friend you've got left)
Is luck
And he's not coming
Sometimes, sometimes, sometimes
I get the strangest feeling
(Yeah)
(Come on)
Sometimes, sometimes, sometimes
I get the strangest feeling
Oh
Yeah, alright!
You told me I should eat myself
And save some for you
You look just like you needed to
Look for someplace new to lose you
Told me that I'm broken
And you're broken too
I am a monster in make-up
But I'm a monster for you
You told me if I wanna go
You won't mind
You told me I should eat myself
And save some for you
You told me that I'm broken
But I'm broken for you
You told me if I wanna go
You won't mind
(Oooh x3)
You told me if I wanna go
You won't mind
I guess I never thanked you
For putting up with me
That can't have been easy
I know I don't talk much
I just like to hear you speak
Cos when you speak
I feel like I'm home
I feel like I'm home
But back then I tried so hard
To find somewhere I could fall apart
I guess I never thanked you
For putting up with me
That can't have been easy
I know I don't talk much
I just love to hear you speak
Cos when you speak
I feel like I'm home
I feel like I'm home
But back then I used to try so hard
To find somewhere I could fall apart
But nowadays I think I'm happy too
And this room looks an awful lot like you
And do you want to go upstairs
And lie awake with tangled hair
And listen to some songs we love
From a time that's long since dust
And I asked somebody out today
But it didn't make you go away
And I'm sorry that I got too scared
And I'm sorry that I can't stop saying sorry
I could erase you if you like
I can try to make it better for you
What would you like me to do?
Well you are unstitched, ice pick, broken wrist
Your make up's running and its all my fault again
I can't help but make amends
You only call me when you're bored
You only call me when you're bored
You work sympathy through a phone
Maybe I'm better off alone
Let's keep it simple
You are extraordinary in no-ones head but mine
Maybe I'm better off alone
You only call me when you're bored
He is devotion personified
I can try to make him better for you
What would you like me to do?
Well you are unstitched, ice pick, broken wrist
Your make up's running and its all my fault again
I can't help but make amends
You work sympathy through a phone
Maybe I'm better off alone
Let's keep it simple
You are extraordinary in no-ones head but mine
Maybe I'm better off alone
You only call me when you're bored
You only call me when you're bored
Yeah, you only call me when you're bored
I could erase you if you like
I can try to make it better for you
What would you like me to do?
(2, 3, 4)
I guess I'm dying but I don't care
Cos I saw you just lying there
I guess I'm smiling like I don't care
That we are smiling anywhere
You look so beautiful but unaware
Cos I'm too scared, I'm too scared
You just laugh and I'm not scared
You changed the colour of your hair
Maybe I like it when I feel scared
And maybe that's what hung in the air
I would be lying if I said I don't care
I guess I was so underprepared
Your face looks like I didn't care
But I guess that this just seems fair
I guess I'm dying but I don't care
But I guess I'm okay
I'm okay
I guess I'm smiling like I don't care
I guess I was so underprepared
You look so beautiful but unaware
Cos I'm too scared, I'm too scared
You just laugh and I'm not scared
You changed the colour of your hair
I could be dying and I wouldn't care
Cos I saw you just lying there
I guess I'm okay
I'm okay
I'm okay
I'm okay
Too much to know
A place to go
To forget them
They don't know you
Don't control you
Let's go out
Take it off and run
We can be your favourite song
Forget everyone
Waterfalls and drunken calls
Pick it up and come undone
Nothing wrong with anyone
Melatonin
Something stolen
We're not broken
So long ago
A place we know
Don't hold back
They don't know you
Gave birth to you
But you don't owe them
Waterfalls and drunken calls
Pick it up and come undone
Nothing wrong with anyone
Melatonin
Something stolen
We're not broken
about
So this has been a long time coming.
There's a bit of a story here. Way back in 2012 I started work on what I was calling at the time "a 3-track EP". Over the course of the last 5 years those 3 tracks became 4, then 5, then 7 and after that it gets a little foggy but at one point I believe it reached an 18 track album. I have been talking about this project to anyone who will listen to me for so long I forget when I started. It has been through dozens of drastically different incarnations and recordings and re-recordings and mixes and remixes and re-remixes. Songs have come and gone and occasionally come back only to be replaced by completely reworked arrangements of themselves. The name itself and the artwork has changed repeatedly. At one point I pulled together a group of musicians to become the tickbox live act, which was quickly disbanded when I realised I wasn't comfortable playing these songs live and decided that tickbox should be a writing and recording project only. Come to think of it I didn't even go by tickbox at the start of all this (I went through several names before settling on tickbox, one of my personal favourites being the Powerpuff Girls inspired "Jojo and the Mojos").
I was so focused on making this perfect, and it backfired. Around a year and a half ago, after finishing the 8th attempt at mixing the album (which at that time contained 12 tracks) I suddenly realised that I couldn't stand listening to it anymore. I had completely burnt out any motivation I had for completing this project, and with that I started to become acutely aware of what was bad about it. This was a collection of songs that I had recorded way back when I didn't really know how to record, mixed when I didn't know how to mix and mastered when I didn't know how to master, and all my dozens of re-attempts and adjustments were doing was making it marginally better, in some cases worse. I wasn't even a particularly good musician when I recorded most of these songs, and as a result my drumming is sloppy, my guitar playing is all over the place (the guitar solo in "broken" might be the worst guitar solo in history) and my singing is FULL of tuning issues. Up until this point I had been treating all that as a grungey gimmick of the album but I couldn't hear anything but those issues anymore. On top of that, I had been listening to these songs repeatedly for so long that I could no longer accurately hear what I could do to make them better (in terms of mixing) without completely starting from scratch, and what I could hear required a huge amount of work to fix. But the sound itself wasn't even the biggest problem: I no longer identified with the songs. I had written the majority of them so long ago I didn't even feel like the same person as the one who was singing. Lyrically I was singing about things that had happened so long ago that I just didn't feel those same feelings anymore. I didn't care anymore about a lot of things I cared about and was writing about at the time. In that time I had been writing new songs that were going to appear on whatever my next album/ep was, but I realised that I was MUCH prouder of those songs. I have improved hugely as a songwriter over the last 5 years and I felt like these songs no longer represented my best work.
All of this came together in my head at the same time, and I realised that if I wanted this album to be exactly what I wanted it to be I had 2 options: completely start again, right from the start, new recordings, new mixes, new masters, new everything. I could maybe finally put out something I was proud of in terms of the technical, audio side of things, but it would mean going through the entire process again with these songs and I would still have an album full of songs that I don't identify with anymore, albeit a little shinier and nicer. Or, I scrap the album entirely.
That was a decision I did not want to make, so I didn't listen to any of the songs for almost a year and a half.
So at this point you might be wondering how this ever actually made it out into the world just above this incredibly lengthy and overdramatic description. A few days ago, just for the fun of it I listened to the album again for the first time in over 18 months, and a very strange thing happened. I liked the songs again. Something about where my life is now and the way I feel connected with the lyrics again, but in completely new ways. They made sense again, but they were about very different things than they were back then. The happy parts were about my current friends, and break-up songs had become songs about the difficulties of being in a very long-distance relationship. That's as much detail as I'll go into on that but you get the point. And no, it's still not a representation of my best work. The performances are still very messy, the recording, mixing and mastering are still nowhere near what I can do now and I am a much better songwriter now than I was back then, but frankly, I don't care.
So I brutally axed almost half of the 12 songs that were on there, leaving the ones that I'm the most proud of (plus 1 or 2 fan favourites), and I'm just releasing it. Other than the tracklist itself and and the title, I'm not touching anything. I spent WAY too much time on this to let it just vanish forever. It is gonna be out there in the world regardless of the form it's currently in, regardless of what could be better or worse about it, regardless of how much I think it's actually a good piece of work, it is going to be out there. I am doing this at half past 5 in the morning and it is definitely possible that this a stupid, sleep-deprived idea, but I don't care. I'm doing it anyway. Love it or hate it, this is now a thing.
So here. Here is a collection of songs written and recorded over a 3 and a half year stretch of my life on my own in my bedroom, agonised over, forgotten about, rediscovered, and then forced out into the world with an ironic title (I gave long and serious thought to actually just calling it "fuck it" so be happy with the title it got).
Apologies for the long description, thank you if you read all the way through, and if you decided to download this thank you so much, you are a wonderful person. Hope you enjoy. Hugs and shit <3
credits
released September 2, 2016
I'd like to thank several people for their support and putting up with me going on and on about this for years: firstly I'd like to thank Kira, you more than anyone helped me get to a point where I felt confident enough to actually put this out into the world and you've supported me the whole time. Honestly this would still just be a dusty folder on my laptop if it wasn't for you so thank you so much, and I love you (gayyyyyyyy).
Thank you to my friends Emily, Chris, Shaun, David, Alek, Dale, Sarah, Hayley, Michaela, Peter. I've known some of you for only a small part of this process, and I'm fairly certain a couple of you weren't even aware this was a thing, but I'm a happier and more confident person than I was 5 years ago because of you guys so thank you, I love you all so much. And those of you that have been there from the start, thank you for not murdering me by now, it's very much appreciated.
Thank you to my parents and family, you guys are just really cool. That seems like a less important thing than these other thank you's but it's not, you guys being cool is what got me to this point and made me actually want to do this, so thank you, and I love you
I've thanked them already in the friends section but I feel like they need a mention in a slightly different context, thanks again to Shaun, David and Alek (who are my bandmates in the band I drum in, Magic Trik), you guys are awesome and really helped to make me feel musically confident. Also with the exception of Chris you guys might be the ones who've been asking for this EP the most, so FUCKING HERE, ITS OUT, ARE YOU HAPPY YA BUNCH OF PIES?
Thank you to my college lecturers (at least, the good ones), and the college itself for putting up with me. Sorry this isn't exactly my best work, I'll do you proud next time.
Thank you to the cool high school teachers I had, Mr Watson, Mrs Wilson, Mr Watt, Mr Hay, Mr McDowell. I don't think you realised at the time but you guys actually really got me through a lot, so thank you.
I feel like I'm missing people, and if I have I'm so sorry. Just know that you're all beautiful and awesome and I love you all. (Well, not all. You know who you are and if you don't you should)
All songs and parts written and performed by me, with the exception of the guitar part on "pocket knife", which was written and performed by Peter Barnes.
All recording done by me, with the exception of the drums on "tickboxes" which was recorded with the help of Pogo Wilson and Connor Porteous, and the drums on "pocket knife", "you only call me when you're bored" and "broken" which were recorded by Paul Welch. All drums recorded at New College Lanarkshire's studios, everything else recorded in my bedroom.
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