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perfectionist

by tickbox

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1.
tickboxes 04:11
I fall away And let her come forward Through the cracks in my forehead I'm here to stay You don't understand It's not like I had a plan I'm just not that comfortable With your gender so wonderful You don't understand So many like this Labelled indecisive I'm here to stay Put on make-up If it helps you to shape up A little bit of acceptance goes a long way Cos everybody's talking nowadays But everybody's laughing anyway And people come and go in their own way Everybody's talking nowadays Everybody's talking nowadays But everybody's laughing anyway And people come and go in their own way Everybody's talking nowadays Everybody's talking nowadays But everybody's laughing anyway And people come and go in their own way These boxes don't exist and that's ok Everybody's talking Everybody's talking Everybody's talking
2.
pocket knife 02:33
Broken record now (Broken record now) Push them up and down (Push them up and down) The only friend you've got left (The only friend you've got left) Oh Sometimes, sometimes, sometimes I get the strangest feeling You're a pocket knife (You're a pocket knife) Feeling just alright (Feeling just alright) The only friend you've got left (The only friend you've got left) Is luck And he's not coming Sometimes, sometimes, sometimes I get the strangest feeling (Yeah) (Come on) Sometimes, sometimes, sometimes I get the strangest feeling Oh Yeah, alright!
3.
monster 03:41
You told me I should eat myself And save some for you You look just like you needed to Look for someplace new to lose you Told me that I'm broken And you're broken too I am a monster in make-up But I'm a monster for you You told me if I wanna go You won't mind You told me I should eat myself And save some for you You told me that I'm broken But I'm broken for you You told me if I wanna go You won't mind (Oooh x3) You told me if I wanna go You won't mind
4.
soft touch 04:22
I guess I never thanked you For putting up with me That can't have been easy I know I don't talk much I just like to hear you speak Cos when you speak I feel like I'm home I feel like I'm home But back then I tried so hard To find somewhere I could fall apart I guess I never thanked you For putting up with me That can't have been easy I know I don't talk much I just love to hear you speak Cos when you speak I feel like I'm home I feel like I'm home But back then I used to try so hard To find somewhere I could fall apart But nowadays I think I'm happy too And this room looks an awful lot like you And do you want to go upstairs And lie awake with tangled hair And listen to some songs we love From a time that's long since dust And I asked somebody out today But it didn't make you go away And I'm sorry that I got too scared And I'm sorry that I can't stop saying sorry
5.
I could erase you if you like I can try to make it better for you What would you like me to do? Well you are unstitched, ice pick, broken wrist Your make up's running and its all my fault again I can't help but make amends You only call me when you're bored You only call me when you're bored You work sympathy through a phone Maybe I'm better off alone Let's keep it simple You are extraordinary in no-ones head but mine Maybe I'm better off alone You only call me when you're bored He is devotion personified I can try to make him better for you What would you like me to do? Well you are unstitched, ice pick, broken wrist Your make up's running and its all my fault again I can't help but make amends You work sympathy through a phone Maybe I'm better off alone Let's keep it simple You are extraordinary in no-ones head but mine Maybe I'm better off alone You only call me when you're bored You only call me when you're bored Yeah, you only call me when you're bored I could erase you if you like I can try to make it better for you What would you like me to do?
6.
okay 06:13
(2, 3, 4) I guess I'm dying but I don't care Cos I saw you just lying there I guess I'm smiling like I don't care That we are smiling anywhere You look so beautiful but unaware Cos I'm too scared, I'm too scared You just laugh and I'm not scared You changed the colour of your hair Maybe I like it when I feel scared And maybe that's what hung in the air I would be lying if I said I don't care I guess I was so underprepared Your face looks like I didn't care But I guess that this just seems fair I guess I'm dying but I don't care But I guess I'm okay I'm okay I guess I'm smiling like I don't care I guess I was so underprepared You look so beautiful but unaware Cos I'm too scared, I'm too scared You just laugh and I'm not scared You changed the colour of your hair I could be dying and I wouldn't care Cos I saw you just lying there I guess I'm okay I'm okay I'm okay I'm okay
7.
broken 09:01
Too much to know A place to go To forget them They don't know you Don't control you Let's go out Take it off and run We can be your favourite song Forget everyone Waterfalls and drunken calls Pick it up and come undone Nothing wrong with anyone Melatonin Something stolen We're not broken So long ago A place we know Don't hold back They don't know you Gave birth to you But you don't owe them Waterfalls and drunken calls Pick it up and come undone Nothing wrong with anyone Melatonin Something stolen We're not broken

about

So this has been a long time coming.

There's a bit of a story here. Way back in 2012 I started work on what I was calling at the time "a 3-track EP". Over the course of the last 5 years those 3 tracks became 4, then 5, then 7 and after that it gets a little foggy but at one point I believe it reached an 18 track album. I have been talking about this project to anyone who will listen to me for so long I forget when I started. It has been through dozens of drastically different incarnations and recordings and re-recordings and mixes and remixes and re-remixes. Songs have come and gone and occasionally come back only to be replaced by completely reworked arrangements of themselves. The name itself and the artwork has changed repeatedly. At one point I pulled together a group of musicians to become the tickbox live act, which was quickly disbanded when I realised I wasn't comfortable playing these songs live and decided that tickbox should be a writing and recording project only. Come to think of it I didn't even go by tickbox at the start of all this (I went through several names before settling on tickbox, one of my personal favourites being the Powerpuff Girls inspired "Jojo and the Mojos").

I was so focused on making this perfect, and it backfired. Around a year and a half ago, after finishing the 8th attempt at mixing the album (which at that time contained 12 tracks) I suddenly realised that I couldn't stand listening to it anymore. I had completely burnt out any motivation I had for completing this project, and with that I started to become acutely aware of what was bad about it. This was a collection of songs that I had recorded way back when I didn't really know how to record, mixed when I didn't know how to mix and mastered when I didn't know how to master, and all my dozens of re-attempts and adjustments were doing was making it marginally better, in some cases worse. I wasn't even a particularly good musician when I recorded most of these songs, and as a result my drumming is sloppy, my guitar playing is all over the place (the guitar solo in "broken" might be the worst guitar solo in history) and my singing is FULL of tuning issues. Up until this point I had been treating all that as a grungey gimmick of the album but I couldn't hear anything but those issues anymore. On top of that, I had been listening to these songs repeatedly for so long that I could no longer accurately hear what I could do to make them better (in terms of mixing) without completely starting from scratch, and what I could hear required a huge amount of work to fix. But the sound itself wasn't even the biggest problem: I no longer identified with the songs. I had written the majority of them so long ago I didn't even feel like the same person as the one who was singing. Lyrically I was singing about things that had happened so long ago that I just didn't feel those same feelings anymore. I didn't care anymore about a lot of things I cared about and was writing about at the time. In that time I had been writing new songs that were going to appear on whatever my next album/ep was, but I realised that I was MUCH prouder of those songs. I have improved hugely as a songwriter over the last 5 years and I felt like these songs no longer represented my best work.

All of this came together in my head at the same time, and I realised that if I wanted this album to be exactly what I wanted it to be I had 2 options: completely start again, right from the start, new recordings, new mixes, new masters, new everything. I could maybe finally put out something I was proud of in terms of the technical, audio side of things, but it would mean going through the entire process again with these songs and I would still have an album full of songs that I don't identify with anymore, albeit a little shinier and nicer. Or, I scrap the album entirely.

That was a decision I did not want to make, so I didn't listen to any of the songs for almost a year and a half.

So at this point you might be wondering how this ever actually made it out into the world just above this incredibly lengthy and overdramatic description. A few days ago, just for the fun of it I listened to the album again for the first time in over 18 months, and a very strange thing happened. I liked the songs again. Something about where my life is now and the way I feel connected with the lyrics again, but in completely new ways. They made sense again, but they were about very different things than they were back then. The happy parts were about my current friends, and break-up songs had become songs about the difficulties of being in a very long-distance relationship. That's as much detail as I'll go into on that but you get the point. And no, it's still not a representation of my best work. The performances are still very messy, the recording, mixing and mastering are still nowhere near what I can do now and I am a much better songwriter now than I was back then, but frankly, I don't care.

So I brutally axed almost half of the 12 songs that were on there, leaving the ones that I'm the most proud of (plus 1 or 2 fan favourites), and I'm just releasing it. Other than the tracklist itself and and the title, I'm not touching anything. I spent WAY too much time on this to let it just vanish forever. It is gonna be out there in the world regardless of the form it's currently in, regardless of what could be better or worse about it, regardless of how much I think it's actually a good piece of work, it is going to be out there. I am doing this at half past 5 in the morning and it is definitely possible that this a stupid, sleep-deprived idea, but I don't care. I'm doing it anyway. Love it or hate it, this is now a thing.

So here. Here is a collection of songs written and recorded over a 3 and a half year stretch of my life on my own in my bedroom, agonised over, forgotten about, rediscovered, and then forced out into the world with an ironic title (I gave long and serious thought to actually just calling it "fuck it" so be happy with the title it got).

Apologies for the long description, thank you if you read all the way through, and if you decided to download this thank you so much, you are a wonderful person. Hope you enjoy. Hugs and shit <3

credits

released September 2, 2016

I'd like to thank several people for their support and putting up with me going on and on about this for years: firstly I'd like to thank Kira, you more than anyone helped me get to a point where I felt confident enough to actually put this out into the world and you've supported me the whole time. Honestly this would still just be a dusty folder on my laptop if it wasn't for you so thank you so much, and I love you (gayyyyyyyy).

Thank you to my friends Emily, Chris, Shaun, David, Alek, Dale, Sarah, Hayley, Michaela, Peter. I've known some of you for only a small part of this process, and I'm fairly certain a couple of you weren't even aware this was a thing, but I'm a happier and more confident person than I was 5 years ago because of you guys so thank you, I love you all so much. And those of you that have been there from the start, thank you for not murdering me by now, it's very much appreciated.

Thank you to my parents and family, you guys are just really cool. That seems like a less important thing than these other thank you's but it's not, you guys being cool is what got me to this point and made me actually want to do this, so thank you, and I love you

I've thanked them already in the friends section but I feel like they need a mention in a slightly different context, thanks again to Shaun, David and Alek (who are my bandmates in the band I drum in, Magic Trik), you guys are awesome and really helped to make me feel musically confident. Also with the exception of Chris you guys might be the ones who've been asking for this EP the most, so FUCKING HERE, ITS OUT, ARE YOU HAPPY YA BUNCH OF PIES?

Thank you to my college lecturers (at least, the good ones), and the college itself for putting up with me. Sorry this isn't exactly my best work, I'll do you proud next time.

Thank you to the cool high school teachers I had, Mr Watson, Mrs Wilson, Mr Watt, Mr Hay, Mr McDowell. I don't think you realised at the time but you guys actually really got me through a lot, so thank you.

I feel like I'm missing people, and if I have I'm so sorry. Just know that you're all beautiful and awesome and I love you all. (Well, not all. You know who you are and if you don't you should)

All songs and parts written and performed by me, with the exception of the guitar part on "pocket knife", which was written and performed by Peter Barnes.

All recording done by me, with the exception of the drums on "tickboxes" which was recorded with the help of Pogo Wilson and Connor Porteous, and the drums on "pocket knife", "you only call me when you're bored" and "broken" which were recorded by Paul Welch. All drums recorded at New College Lanarkshire's studios, everything else recorded in my bedroom.

All mixing and mastering done by me.

Bigger Booth Records 2016

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tickbox Linlithgow, UK

Solo experimental musician from Scotland. Does a lot of stuff, just very slowly.

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